Nicholas, each as spatially trippy as an Escher print and as packed with sweet detail ... curator of Italian paintings before 1500 at the National Gallery, London; Caroline Campbell, director ...

He also gives it an interesting spin, in that the face in the picture is that of Boris Karloff, best known as the monster in 1931’s Frankenstein. The print of those sneakers is included in the ...

It’s more an Escher print than a layer cake, offering different dimensions and vantage points, and unexpected connections. The end game is to pinpoint something - a metabolite or other biomarker that ...